Activism Change

BOOK: "REEL BAD ARABS: HOW HOLLYWOOD VILIFIES A PEOPLE"

Question:

C’mon it’s not all that bad, when was the last time you saw Laurence of Arabia…

Response:

BOOK: "REEL BAD ARABS: HOW HOLLYWOOD VILIFIES A PEOPLE" Below, an excellent article about a new book from Jack G. Shaheen, previously known for his important book, "The TV Arab". Shaheen’s new, "Reel Bad Arabs: How Hollywood Vilifies a People", looks at images of Arabs in popular films. Anyone who enjoyed Kathleen Christison’s highly recommended "Perceptions of Palestine" (which looks at the historical development of American perceptions of Arabs and Palestinians, and how that translated into US foreign policy), will find "Reel Bad Arabs" an interesting zoom in on some of the key cultural roots of these perceptions. If this is news to you, a full review of Perceptions of Palestine is available at  http://www.nigelparry.com/diary/bookstore/ I’m told that the book is soon to be available in a much more affordable paperback format, with an updated preface:                  http://www.amazon.com/exec/obidos/tg/stores/detail/-/books/0520217187…com The article on Shaheen’s book follows. Nigel Parry http://nigelparry.com TELEVISION Negative Stereotyping Distorts Arabs’ Image By HOWARD ROSENBERG Los Angeles Times, 30 July 2001 Caring Americans wring their hands over stereotypes in the U.S. that haunt blacks, Latinos, Asians, Italians, Native Americans, Catholics, Jews, gays and (you fill in the blank). Just as nasty, though, is the stigma that usually goes unmentioned. An estimated 3.5 million Arab Americans live in the U.S. What would you say, about 3 million are terrorists? Well, half anyway. Why wouldn’t you think that? Why wouldn’t it be in the minds of knee-jerk TV newscasters who reported immediately after the 1995 Oklahoma City bombing that the FBI was seeking three males, two of them "Middle Eastern with dark hair and beards"? Why wouldn’t the security officers who ejected Abdullah Al-Arian from the White House annex think it too? Al-Arian is the Duke University student and congressional intern who was there for a meeting with Muslim leaders on President Bush’s faith-based initiative last month when he was removed after a false tip that he was linked to terrorists. You know, the shadowy guys we see again and again in movies and on TV. Because there are no other Arabs, right? Except, that is, for harem girls and bearded, limousined, oil-rich sheiks in dark glasses, wielding their billions like spiked clubs. With violent conflict between Israelis and Palestinians again raging in the Middle East, their media images assume even greater weight and loom especially large. It’s hard telling which side is winning the crucial public relations duel in the news, as bitter charges fly back and forth between these Jews and Arabs, each blaming the other for fomenting violence in the most recent intifada, estimated to have killed more than 600 in the last 10 months, mostly Palestinians. As for PR points in opinion-shaping TV shows and feature films, though, Arabs still are nearly shut out. "There’s an unending barrage of the same hate-filled images portraying Arabs as less than human," said scholar Jack G. Shaheen, whose excellent new book, "Reel Bad Arabs," is a valuable, detailed, fast-reading compendium of theatrical movies that follows his incisive earlier work, "The TV Arab." "Not only are they bashed and vilified on a constant basis," Shaheen added from his home in South Carolina, "the religion [Islam] is thrown in too." Shaheen mentions a minority of feature films he feels contain positive portraits of Arabs. And on TV? "Zilch, nunca, nada, zero," he said. "You never see Arab families. You never see people who look like and act and behave like other people." One very, very rare exception is "The Kitchen," Andre Degas’ aching small film about conflict between an assimilated young Egyptian American and his Old World-ish father who wants his musician son to one day take over his small grocery store in the Hell’s Kitchen section of New York. The Independent Television Service production, which was shown on Father’s Day on many PBS stations and Sunday on KCET, uses its Arab characters to explore universal family themes. More typical is the pilot for a new CBS fall series, "The Agency." It opens with a CIA agent giving a briefing on terrorists "sworn to wage holy war" against the U.S. and its friends. The rest of the story has the CIA scrambling to block a bombing planned by these foreign Arabs and learning that they control even a non-terrorist Arab diplomat posted in Washington. Coming to CBS as well is "The President’s Man: Ground Zero," with Chuck Norris reprising his role as a secret White House operative, this time aiming to stop "an Islamic terrorist," in the network’s words, from taking out a major U.S. city with a nuclear device. Why is "Islamic" relevant to his terrorism? Using it in this context ignores the enormous diversity of this religion, whose followers number more than 1 billion globally, the overwhelming bulk of whom are not fatalistic zealots or suicide bombers. CBS agreed to drop "Holy War" from the original title, "The President’s Man: Holy War," after a meeting with activists, said Salam Al-Marayati, executive director of the Muslim Public Affairs Council in Los Angeles. The network also promised to add an Arab American attorney general character to the movie and drop all references to religion but one reference to "Allah" (Arabic for God), Al-Marayati said. A CBS spokeswoman confirmed the new title and the attorney general figure and said all "Allah" references were out. She denied that the network had promised the activists anything specific, however, and added that script changes were underway even before the meeting with Al-Marayati and his group. Latino drug lords are always an option as heavies. With no more Soviets for U.S. heroes to fight on TV, thanks to the Cold War’s ending, however, Arabs have become the clay pigeon of choice. CBS is hardly the only TV culprit here. Almost from its inception, the medium has been an equal-opportunity stereotyper, distorting or exaggerating the images of just about everything and everyone from gender types to ethnic and racial minorities. After all, it’s much easier to reach for a clich

Filed under: Lobbying

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